“Space debris is out of control! Craft a station to take out the trash in this unique construction roguelite mashup.”

The soundtrack for Orbitect is predominantly arcade-style electronic, infused with orchestral elements. The percussion layers of a given track are dynamic depending on whether the player is in build mode or view mode, to accompany the pace of gameplay. Below is the gameplay track from the planet Cadmus.

Close Contact is a “short, narrative-driven, sci-fi horror game where you must navigate an advanced underground base whilst avoiding the alien creature that stalks you”

I created an ambient, cinematically inspired soundtrack to suit the tense, suspensful aesthetic and science fiction setting. Below is a piece from the soundtrack played during player exploration of an underground laboratory in a remote location away from Earth.

The Mars Agenda is a “first-person puzzle game where a lone astronaut with nothing but a guide book must complete various missions on Mars to get the planet ready for future habitation.”

The soundtrack for this game comprises two seperate, but related albums which play tracks depending on the day-night cycle in-game; either a series of lo-fi electronic pieces with science-history based documentary vocal samples (during the day), or melodic piano versions of those tracks (at night). Below is a piece from the soundtrack (a day-cycle on the Martian surface).

OAOA (Off and On Again) is a retro style platformer game. “OAOA tells the story of a hero tasked with rebooting time. The game world is created and destroyed during play, with the hero having the ability to turn parts of the world off and on again. You will be required to use both brains and skill to overcome the enemies and obstacles in your path.”

I created a soundtrack for OAOA that explored a whole range of retro-inspired styles in the chiptune, electronic (and occasionally ambient) genres. The below gameplay track is one such piece.

Cloudbase Prime is a first-person puzzle platformer game. “You are lost in the depths of a gas giant mining station where things have gone very, very wrong. Move terrain to clear paths, launch enemies, and fling yourself skyward. Get ready to shoot a lot of robots and jump into the colorful clouds of Cloudbase Prime!”

I created an action oriented soundtrack for Cloudbase Prime that was a blend of chiptune and orchestral inspirations to complement the look, feel and style of the game. Below is an example of a stage involving jumping to (and falling from) high distances.

In Rockets Are Super Hard, “You and your teammates (local co-op) are armed only with a guide book (100+ pages) to instruct you in your task of launching rockets. Work together to complete complex puzzles by entering codes, pushing buttons, flicking switches and turning knobs in order to win the game!”

The soundtrack was comprised of track segments that are constructed in a dynamic horizontal manner depending on what is occurring in the in-game missions. The style was a blend of instrumentation with a central ‘arcade-style’ feel tying the tracks together. Below is one such example.